How school becomes unschooled: a poem against campus base violence
it's not easy to carry the ashes of your late children
& squeeze them out through your lips
the soil our parents planted our legs,
was the same place they fetched our blood.
it pepper their eyes till it becomes fire
yesterdays,
a brother was poison to death by drug
& a sister flew on gunshot to silence
Emmanuel G G Yamba is an undergraduate student at the University of Liberia. His work explores variety of topics and has been featured and forthcoming in Salamander Ink Magazine, WSA, Eboquill, Nantygreen, Yellow House, Literary Yard, Agape Review, Poemify, An Anthology for Abunic and elsewhere
The Star
Even if I was issued a number
it would never be retired
it's too far down the list.
But how about the weather?
It's a sunny day so I walk to the store
in short sleeves.
There's hotties and hipsters galore...
Their tats perfect and hairstyles and smiles and
bodies toned like for a Nike ad.
I get my bottle and snacks.
There's a game I can't miss-
just last night somebody hit a grand slam home run.
My own tattoos, so old and faded,
they look ugly now, like cancer,
like amazing birthmarks gone viral.
Even if I had a name
Would I repeat it?
How do you entitle a phenomenon?
Jay Passer's work has appeared in print and online since 1988. He is the author of 13 collections of poetry and prose and his first novel, Squirrel, was published by Alien Buddha Press in 2022. Passer lives in San Francisco with several imaginary cats and 3 very real houseplants.
MOTUS - Mohawk of the United States
As we go down life’s sometimes crooked path
leaning into the wind and the spitting rain
pulling our coats tight, wishing for weather’s remission
wondering what it all means, where we’re going
how did I get here? how do I work this?
one thing becomes exceedingly clear.
When it comes time to help the homeless
paint a room, organize anything, teach a child,
stop a war, correct an injustice,
or talk about crooked politicians
I want to do all of these things with
the women sporting a purple mohawk
whose personalities burn like napalm
whose energy is more nuclear than solar
for they are the believers and the doubters
the social equity agnostics
who will pray if they must
the doers and the shut-up-and-dancers.
It would do our country good
to have a woman with a purple mohawk,
ears studded like rivets in the stern of a warship
red high-top Converse running the show
and a rainbow Black Lives Matter t-shirt
riding herd and taking names in the rose garden
using her phone and a situationally dependent flow
of strong coffee and single malt whiskey
because I’ve seen firsthand the mountains moved
by these heroines, often with child on hip
and it makes me want to get out of the way.
Jim Landwehr has four published memoirs, At the Lake, Cretin Boy, Dirty Shirt and The Portland House. He also has five poetry collections, Thoughts from a Line at the DMV, Genetically Speaking, Reciting from Memory, Written Life and On a Road. His nonfiction and poetry has been featured in numerous magazines and journals. Jim lives in Waukesha, Wisconsin and was the 2018-2019 poet laureate for the Village of Wales, Wisconsin.
the moon can’t make herself full
aphrodisiac:
Mountain Dew
a plate of strawberries
I give it to
the first who shows the least
thrusting/leaving off
all my failings
in the mirror
mendicant
til he says good
Kathleen Hellen’s collection meet me at the bottom is forthcoming in Fall 2022 from Main Street Rag. Her credits include The Only Country Was the Color of My Skin, her award-winning collection Umberto’s Night, published by Washington Writers’ Publishing House, and two chapbooks, The Girl Who Loved Mothra and Pentimento. Featured on Poetry Daily and Verse Daily, her work has appeared in Brilliant Corners, Cave Wall, Colorado Review, jubilat, Massachusetts Review, New American Writing, New Letters, among others. Link to her work at https://www.kathleenhellen.com/
Dead World Poets’ Society
When the final negative feedback loop leaps into action and irreversible becomes a fact not a limping warning in semi-lucid minds, the world’s poets will flock to the raging forest fires, the fracturing glaciers, the empty river beds, the smoke dressed cities, and they will write odes and elegies of horror and disgust and regret poisoned by bitter marveling, and then find something beautiful to say about the flame and the filth and the misfortune, for the poets can’t help themselves and that is the only excuse permitted.
​Matthew James Friday is a British born writer and teacher. He has been published in numerous international journals, including, recently: Acta Victoriana (CA), The Oregon English Journal and Shot Glass Journal. The micro-chapbooks All the Ways to Love, The Residents, Waters of Oregon and The Words Unsaid were published by the Origami Poems Project (USA). Matthew is a 2021 Pushcart Prize nominated poet.
Street Buddha
The drunk outside the bar
told me to “listen the fuck up
and since it is totally impossible
to know anything the goal should
be to forget everything” right before
he took a sip from his flask then passed out
in a pool of his own urine on Artesia Boulevard.
Scott c. Kaestner is a Los Angeles poet, writer, dad, husband, and a man who thinks mornings are made for hot coffee and hot showers. Google ‘scott kaestner poetry’ to peruse his musings and doings.
Canto Tormenta – Susan Kotler (c. 2022)
A fluttering lullaby,
the scrape of stiff leaves scratched the air,
in irregular rhythm.
​
Fireflies hovered above,
entrancing incandescence
sending signals to lovers unseen.
​
The soil still warm from the long autumn light
cradled her back
as she lay at the edge of the cornfield.
​
Distant thunder murmured -
lub-dub, lub-dub, lub-dub -
with quickening pace and rising volume.
​
Cumulus billows spread
and sped across the sky,
as the storm approached,
a blast of wind.
​
Her skirt flipped up,
ripped at her blouse.
​
Fingers of fire splayed the sky -
electro-dendro-dentro-introitus –
illuminating spent stalks and bare limbs.
​
The fireflies ceased their restless search
as the rain came.
​
She shuddered, then smiled,
the moment secreted
into a special chamber -
what they had done to her.
​
​
Artist’s Note: This poem is part of a “poetry novelette” where the poems will be presented to each reader in a different random order, and the reader will then construct their own “narrative.”
Susan Kotler lives in Los Osos, a small town on the California coast. She has been a fine
artist, musician, and poet throughout her life. She often combines these forms of creative
expression into one project. Themes include the beauty of natural phenomena, personal
sacrifice and salvation, and sensual-spiritual experiences.