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Letters

A stray I has fallen out of the scrabble bag.

Wedged in carpet fluff.

Only for a second I think 

It's a sign.

We know better. 

There is not always an I to a me.

We are all just little lost I’s.

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Charlotte Cosgrove is a poet and lecturer from Liverpool.She has published two collections of poetry and is the editor of Rough Diamond poetry journal.

Broken Window

Perhaps I am too familiar

with this neighborhood.

Perhaps I am only inspired

by weather when I have nothing

better to do. A helicopter hums

above me, eyes on the hospital.

My windows are open

for once, and the pollen

calls me home, breathes

with my lungs, but better.

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James Croal Jackson is a Filipino-American poet who works in film production. His latest chapbooks are A God You Believed In (Pinhole Poetry, 2023) and Count Seeds With Me (Ethel Zine & Micro-Press, 2022). Recent poems are in Ghost City Review, Little Patuxent Review, and Pirene’s Fountain. He edits The Mantle Poetry from Pittsburgh, Pennsylvania, USA. (jamescroaljackson.com)

Selection from “Knock knock quilt”

knock knock

the background slowly selfies up

like america but without the wah-wah pedal

its de-edened pixels dark interiors

outlines purse seconds

[private sidelines]

overyessed formica over

whose fluorescent gussy

plops and toggles— figures become eyes of

themselves— "An archipelago/was refused” of themselves families without form or content

leftover nths out of background

humans creeping into other humans

wet slack internet

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James Sanders is a member of the Atlanta Poets Group, a writing and performing collective. He was included in the 2016 BAX: Best American Experimental Writing anthology. His most recent book, Self-Portrait in Plants, was published in 2015. The University of New Orleans Press also recently published the group’s An Atlanta Poets Group Anthology: The Lattice Inside. Website is http://somejamessanders.com.

StormForce

Storm has a presence,

a weight cascades in silvered lines.

These quicksilver chains

scour parched ground

as smooth as a plasma screen

which I hunger to wrap

in a regurgitated weather map.

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John is a 72-year-old Scottish poet. His work has appeared in a variety of magazines including Dreich, Southlight, Steel Jackdaw, Aayo Magazine, Lazuli Literary Group, Pure Slush Books, and Coin-Operated Press. In 2025, the US publisher Kelsey Books will publish his first poetry pamphlet ‘Lucy Uncatalogued’.

Blackheads 

Ever since you left

There has been no one around 

To remove my blackheads

They have been growing

And turning into tiny black holes

Threatening to slowly suck in my entire face

I remember how you would do it

Wrestling me down

Climbing on top of me

Pinching my nose until my eyes watered

And squeezing them out one by one

I finally went to a salon

Where a man went to work on me

Like a sadistic doctor

Ruthlessly poking my nose with a needle

Until he got the job done.

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Kashif Ilyas is an Assistant Professor of English at Presidency University, Bengaluru. His poetry has previously been published in the literary journals The Poet, With Painted Words, The Quarter(ly), MONO., and Global Poemic: Kindred Voices on the Era of COVID-19. His short story “Uncitizened” was published in Outlook Magazine and his work has also appeared in the international anthologies Lockdown 2020 and Musings During a Time of Pandemic.

Coffee Run                    

"Hey Bob,”

I said to the nabob

sitting under the baobab

in the lotus position.

 

Bob was a kind of

nickname, a kind of

diminutive, a kind of

presumption, really, him being

 

a nabob and all.

Like Jesus, Buddha,

Muhammad et al.

he was rich in the spiritual

sense but ever since

 

the recession of 2008

he was poor in the dollars-and-cents

sense. “Hey Bob, you got

50 cents? Let’s consolidate

and get a cuppa joe.”

 

He flinched as though

the proposition were a fly

alighting on his unibrow.

 

Then, slowly, mindfully,

he dipped a crimped hand

into his dhoti, extracted

a crinkled dollar bill

 

and offered it up to me

like a moist and crumpled prayer 

without opening

 

 his eyes.

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Paul Hostovsky's poems have won a Pushcart Prize, two Best of the Net Awards, the FutureCycle Poetry Book Prize, and the Muriel Craft Bailey Award. He has been featured on Poetry Daily, Verse Daily, The Writer's Almanac, and the Best American Poetry blog. His latest book of poems is Pitching for the Apostates (Kelsay, 2023). He makes his living in Boston as a sign language interpreter.  Website: paulhostovsky.com

Packaged Words

When you died

I packaged up your words

And hid them for later

 

Now, whenever I feel alone

I open them up

And let them break me back open

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Educated at James Madison University and New York University, Robert has maintained a daily journal since he was in the ninth grade, where a favored teacher encouraged his writing. He also regularly shares his unedited, handwritten journal entries with his readers on Instagram. Robert's work has been featured in Scissortail Quarterly, NJ Bards Poetry Review, JanusWords (Black Mountain Press), and six published collections of poetry and prose.

Buffalo Bill and the Slithering Sidewalk

Sporting a Buffalo Bill mustache, a goatee, cascading hair

topped by a weathered leather hat of much the same breed, 

one expects a handsome vest and matching chaps with fancy

boots to complete the ensemble, not a tattered blue sweatshirt 

over a frayed red tee, old, patched corduroys hugging ground,

broken tennies that weren't a match, a left leg limping to boot.

But this was not a fashion ramp; it's a newly surfaced market

parking lot and he was asking me, with hand out, and pleading

eyes, and rasping voice, if I could spare a couple of bucks. 

 

He was new to the lot and didn't know what I do when asked. 

No, I say, I cannot spare, but I am in the market for dreams. 

You have a dream you can tell me, sell me for a couple of bucks?

Taking a step back, he says, You serious? Dead serious, I answer. 

OK, then. I'll tell you the dream I remember when Jango shook

me awake this morning. Jango? Yeah, I slept with her last night 

and woke her up moaning and groaning something awful, she

said. That's her over there in the black tights. Did you tell her?

Yep. What did she say? She said I better get off all the junk.

 

You sure you're gonna give me−Yes, I interrupt. OK, then. 

What I saw in my dream was the sidewalk, and it was moving

like something was under the sidewalk, long like a snake or

something, something slithering along, but still under and not 

coming out no where’s I could see. The sidewalk was moving

as far as I could see. It was creepy and I guess it got me scared 

or something to make me moan and groan and waking up Jango

and all. That's all there was. Pretty silly dream, I'd say. You think

it's worth two dollars? Not silly at all. I handed him two dollars.

 

He stood there looking at me, standing perfectly still, staring.

Jango's man asked, almost whispering, what's it mean? 

 

Ah, now that, I charge for. But for free I'll tell you that's not

the question. The question is:

 

What are you going to do now, now that the snake is moving?

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Russell Lockhart, 86, a Jungian analyst in Everett, WA, has made it a practice of encountering street people. When asked for money, he gives them money if they will give him a dream. He writes these encounters in poetic form.

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