top of page

Poetry: Various

Poetry by Raymond Farr, Robert Masterson and John Grey

 

For the [ ], the Missing, & Excluded

Wherever I am

I am what is missing

—Mark Strand

I am Eddy Spaghetti with the meat ball eyes—

A missing major in Majorca

My reasons are Cubism for not practicing aggression

Many sides falter in tumult but Eddy stays cool!

I swing myself up & back into view

Of my life’s cheap imitation of itself

& putting on a parka I get into a Volvo

A bus pulls away from people still standing at the curb

I was balled up in gauze is all I remember

A totality to interpret was all I was given

The very next day the news people come—

If not gravy boat baby…Then ice ice baby? [A frame

Of 9 seconds is missing a function of leafy green

Vegetables]…Then Chesapeake Bay maybe ?

The weather was nice—I walked among peonies

I stroked the black clouds—I was clipped by a

Volkswagen doing 10 or 17 mph

& stealing the butter, I ate what my captors ate

Such is the Oz I remember from the book—

Boughs & boughs of manic glinting crystal

Decorations—my homecoming was a wonder

I became nostalgic for my handcuffs

Raymond Farr is author of Ecstatic/.of facts (Otoliths 2011), & Writing What For? across the Mourning Sky (Blue & Yellow Dog 2012), a chapbook, Eating the Word NOISE! (White Knuckle Chaps 2015), a full length collection of poems Poetry in the Age of Zero Grav (Blue & Yellow Dog 2015), & an echapbook, A Journey of Haphazard Miles (ALT POETICS 2016). He is editor of Blue & Yellow Dog, which is now archived at http://blueyellowdog.weebly.com & publisher of a new poetry blog The Helios Mss at theheliosmss.blogspot.com

 

LA MALINCHE!

Starring Tab Hunter as Hernan Cortez

Bobby Darin as Moctezuma

And introducing

DebbieGloriana as

La Malinche

It seemed like such a good idea at the time and

For a time it was.

She knew,

If he did not,

Even if he could not,

That they were changing history,

That they were making history,

That they were killing a kind of Mexico

Only to give bloody birth

To a kind of killing Mexico

That could never stop the flow of blood

Or the flight of bullets

Or the snicker-snack of machetes

Just as no jaguar God

Nor XipiTotec

Had stopped the tumbleclack of children’s knuckle bones

The wager onthe sake of the world

On the nights when Cortez came home too drunk to shut the door

Of the house they shared in Vera Cruz,

La Malinche would awaken to a foot of ground fog

Spread throughout the rooms

And she’d think it wise

To pray

To this god

To that God

To a jaguar

To XipiTotec

And she would wash her hair then

Like a prayer

With yucca soap poured from a silver pitcher,

A gift from Tecnochtitlan

To entice Cortez to leave Mexico for ever and ever.

Didn’t work.

In their Vera Cruz courtyard,

By the muddy well

(When they draw from it,

The buckets must stand for

Half an hour to let the

Sediment settle to the bottom

Of the container and

Even then

They strain what’s clear

Through linen),

Red birds and yellow birds and blue birds and birds that are red and yellow and blue

Peck at the spilled kernels of corn and barley, the shreds of cane and rinds of fruit

The Spanish are so eager to let drop anywhere

But, for some reason,

Especially at the well,

Perhaps to free their hands

To drop a bucket down into the thin mud

And set it there to begin to resolve.

When those birds clatter aloft

When, say, a human being or

A dog or a horse or a cat or a priest

Wanders near,

They often drop a feather or three

And La Malinche is there, always there,

To take them for her own

As if someday she could fabricate a pair of multi-colored wings

To fly as far away from her disowning people

From Mexico

From Vera Cruz

From Cortez.

Instead, by candlelight as the conquistador snores,

She lays them in order of size and color

Across the writing desk in the other room

And thinks of their symmetry,

Thinks of their complicated system of barbs,

Wonders at their iridescent reflections,

Makes the lost feather noise deep in the back of her throat.

Robert Masterson is an award-winning teacher and writer (Garnish Trouble / Finishing Line Press; Artificial Rats & Electric Cats / Camber Press; Trial by Water / Dog Running Wild Press). His journalism, creative nonfiction, fiction, and poetry has appeared in anthologies, journals, magazines, newspapers and websites. Masterson’s creative and academic work has taken him to dark corners around the world He holds server all degrees from a wide variety of colleges and universities.

 

THE JOIN

we sleep together

like lichen on bark,

persistent mutualisms

two minds thinking

along the lines

of hybridization

but then there's the dog,

barking through the night,

wanting in on the action

obligate relationship

almost achieved

when the phone rings,

wrong number

ectosymbiosis

can't get a look in

when there's

canines lurking,

strangers with fat fingers

not forgetting in-laws,

work, arguments,

the weather,

sickness and sand-flies

so we agree to be lovers,

maybe make a baby

nine months to the night

commensalism

commences

John Grey is an Australian poet, US resident. Recently published in New Plains Review, Perceptions and the anthology, No Achilles with work upcoming in Big Muddy Review, Gargoyle, Coal City Review and Nebo.

 RECENT POSTS: 
 SEARCH BY TAGS: 
No tags yet.
bottom of page